Therese Martin (IH) editora del libro "Reassessing the Roles of Women as `Makers´ of Medieval Art and Architecture"

Monday, 21 May, 2012
These volumes propose a renewed way of framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women. Today?s standard division of artist from patron is not seen in medieval inscriptions--on paintings, metalwork, embroideries, or buildings--where the most common verb is `made´ (fecit). At times this denotes the individual whose hands produced the work, but it can equally refer to the person whose donation made the undertaking possible. Here twenty-four scholars examine secular and religious art from across medieval Europe to demonstrate that a range of studies is of interest not just for a particular time and place but because, from this range, overall conclusions can be drawn for the question of medieval art history as a whole.
 
These volumes propose a renewed way of framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women. Today standard division of artist from patron is not seen in medieval inscriptions--on paintings, metalwork, embroideries, or buildings--where the most common verb is `made´ (fecit). At times this denotes the individual whose hands produced the work, but it can equally refer to the person whose donation made the undertaking possible. Here twenty-four scholars examine secular and religious art from across medieval Europe to demonstrate that a range of studies is of interest not just for a particular time and place but because, from this range, overall conclusions can be drawn for the question of medieval art history as a whole.
Edited by Therese Martin (IH-CCHS,CSIC)
 
 
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Historia social del poder (*)